Zoran Scekic
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miCROfest


Tolgahan Çoğulu
Zlatko Pavlinić

KUD Izvorni običaji
KUD Izvorni običaji

Berislav Antica
Diana Grubišić Ćiković & Zoran Šćekić

Diana Grubišić Ćiković
Agustin C.Avila

Philipp Gerschlauer
Philipp Gerschlauer

Tolgahan Çoğulu
Tolgahan Çoğulu & Philipp Gerschlauer

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Membership in Professional Organization

  • Ekmelische Musik
  • HDS
  • Histeria Nova
  • HUMUS
  • HUOKU

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Press & Comments

"The presentation of 'Five limit intervals - theory & praxis', by Zoran Šćekić is a superb work. His coverage, and description, (in depth) of non-tempered intervalic conditions brings our attention to a number of valuable issues. In many cases the formation of educational procedures into confining structures, (including improvisational idioms, as variable forms of communication) fail to include elements that transcend infinite polarity, thereby placing limits on either micro-tonal, or macro-tonal perspectives of any kind. Šćekić’s work, observed objectively from a neutral platform helps us to unlock certain doorways, and move freely into broader landscapes".
Pat Martino, 2012.

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"Work of Zoran Scekic can open completely new area in composing, interpreting and listening the music." Matica Hrvatska, 'Vijenac' - No. 378 – 379, 11. September 2008
by Mirta Spoljaric

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"Visionary - he dared to go beyond and he succeeded - revolution of composing, interpreting and listening the music!" 'Story Press' - 13. 01. 2009.
– by Dusan Maksimovski

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"It is without any doubt unique and significant project that has potential to influence global course of music in decades to come!"
Antun Tomislav Saban
- 'Croatian Composer Society'

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"The project of Zoran Scekic is leading us to think about basic expression elements in music. I'm convinced that this project deserves attention and support."
Goran Koncar Mr.Mus

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"Author that connects Jazz tradition with contemporary music. His arrangements are subtle and elegant. Several interplays between the orchestral sections are achieved with appropriate dynamics and constant change of intensity. In his work, Scekic shows great affinity for large and complex forms with unpredictable compositions development. Skillful uses of pauses and even silence, results with kind of mystic atmosphere..."
'Cantus' - No. 173, March 2012 by Davor Hrvoj

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